Behringer EUROPOWER Amplifier with ATR EP2000 User Manual

User Manual  
EUROPOWER  
EP2000/EP4000  
Professional 2,000-Watt  
and 4,000-Watt Stereo Power  
Amplifier with ATR  
(Accelerated Transient  
Response) Technology  
Table of Contents  
Thank you  
Thank you for choosing a BEHRINGER EUROPOWER amplifier.  
This piece of high-end gear was developed for professional use  
in live applications, and its many features make it a useful and  
dependable part of your sound system.  
The EUROPOWER amps feature an input filter for each channel,  
enabling you to remove the low-frequency portion of the  
signal, if desired. Additionally, there is a limiter that protects  
your loudspeakers. Various operating modes, such as parallel or  
mono-bridged mode, open up various possibilities for effective  
implementation with the rest of your audio equipment for almost  
any application.  
This manual first describes the controls and connection points  
so that you fully understand the EUROPOWER amplifier and its  
functions. Then it delves into the various applications where the  
EUROPOWER amp can be used, and finishes with more details on  
installing and making the connections to the amplifier.  
Have fun with your new amplifier.  
This manual is available in English, German, French,  
Spanish, Italian, Russian, Polish, Dutch, Finnish, Swedish,  
Danish, Portugese, Greek, Japanese and Chinese. There may  
also be more current versions of this document. Download them  
by going to the appropriate product page at:  
A50-A3830-08001  
 
EUROPOWER EP2000/EP4000 User Manual  
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1.1.3 Online registration  
1. Introduction  
Please register your new BEHRINGER equipment right after  
the terms and conditions of our warranty carefully.  
Should your BEHRINGER product malfunction, it is our inten-  
tion to have it repaired as quickly as possible. To arrange for  
warranty service, please contact the BEHRINGER retailer from  
whom the equipment was purchased. Should your BEHRINGER  
dealer not be located in your vicinity, you may directly contact  
one of our subsidiaries. Corresponding contact information is  
included in the original equipment packaging (Global Contact  
Information/European Contact Information). Should your  
country not be listed, please contact the distributor nearest you.  
A list of distributors can be found in the support area of our  
and equipment with us helps us process your repair claims more  
quickly and efficiently.  
Honestly, who really likes to read manuals? We know you want  
to get started right away, but please read this manual carefully  
and keep it for future reference. It is only after reading these  
instructions that you will fully understand and be able to use all  
the features your EUROPOWER amplifier has to offer.  
1.1 Before you get started  
1.1.1 Shipment  
Your EUROPOWER was carefully packed at the factory,  
and the packaging is designed to protect the unit from rough  
handling. Nevertheless, we recommend that you carefully  
examine the packaging and its contents for any signs of  
physical damage, which may have occurred during transit.  
If the unit is damaged, please do NOT return it to  
BEHRINGER, but notify your dealer and the shipping  
company immediately. Otherwise, claims for damage or  
replacement may not be granted.  
Thank you for your cooperation!  
1.1.2 Initial operation  
Please make sure the unit is provided with sufficient ventilation,  
and never place your EUROPOWER amp on top of other heat-  
emanating equipment or in the vicinity of a heater to avoid the  
risk of overheating.  
The mains connection is made via the enclosed power cord and a  
standard IEC receptacle. It meets all international safety  
certification requirements.  
Please make sure that all units have a proper ground  
connection. For your own safety, never remove or disable  
the ground conductor from the unit or the AC power cord.  
The sound quality may diminish within the range of  
powerful broadcasting stations and high-frequency sources.  
Increase the distance between the transmitter and the  
device and use shielded cables for all connections.  
 
EUROPOWER EP2000/EP4000 User Manual  
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2. Control elements  
2.1 Front panel  
Fig. 2.1: Front panel control elements  
Since control elements of both the EP2000 and the EP4000 are  
identical, we have used the EP2000 as the model represented in  
the illustrations to assure simplicity.  
[3] The CLIP LED lights up when the signal is distorted.  
Should distortion occur, reduce the input level, so that the  
CLIP LED stops lighting up.  
[1] The main switch is used to power up the amp.  
[4] The SIGNAL LED lights up as long as a signal is present at  
the input.  
[5] The Gain control (channels 1 and 2) is used for setting up  
the input gain.  
[6] The POWER LED lights up as soon as the unit is  
powered up.  
Merely switching the unit off does not mean that it is fully  
disconnected from the mains. When not using the unit for  
prolonged periods of time, please unplug the unit’s power  
cord from the power outlet.  
[2] Ventilation openings are located at the front of the unit, so  
that hot air is prevented from being trapped inside the unit,  
thus causing faulty operation or even damage.  
2.2 Rear panel  
Fig. 2.2: Rear panel control elements  
[7] These are the balanced XLR inputs (channels 1 and 2).  
[8] These are the stereo ¼" TRS inputs (channels 1 and 2).  
They can also be used with unbalanced plugs.  
[9] These are the MODE switches, used to alter the operating  
modes as well as to set the limiters and high-pass filters  
(see chapter 2.3).  
[11] These are the speaker outputs (channels 1 and 2). When  
running the unit in mono-bridged mode (see chapter 2.3.5),  
please use the channel 1 output exclusively. For further  
information on the connectors please refer to chapter 4.1.  
[12] These are the output terminals (channels 1 and 2). When  
running in mono, please make sure to use both middle  
connectors to connect your loudspeaker.  
[10] The unit’s fan is located here. Fan speed adjusts automati-  
cally to assure trouble-free operation.  
To prevent faulty operation, please assure that the unit is  
kept at a distance from other appliances emanating heat.  
 
EUROPOWER EP2000/EP4000 User Manual  
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[13] BREAKER (automated fuse). After eliminating the cause of  
faulty operation, simply depress the BREAKER and power  
up the unit again. The BREAKER acts in place of common  
discardable fuses.  
2.3.2 Input filter  
The LF (high-pass) filter removes frequencies below 30 and  
50 Hz respectively. The reproduction of the signal’s bass portion  
is thus optimized, since ultra-low, distracting frequencies are  
eliminated, and more power is available for the reproduction of  
the wanted segment of the signal. Engaging and disengaging  
the filters is done by using the switches 3 (ch. 1) and 8 (ch. 2).  
Switches 2 (ch. 1) and 9 (ch. 2) determine the cut-off frequency.  
As long as the filter is disengaged, frequencies below 5 Hz are  
cut to prevent damage.  
You should set up the filters so they best suit the frequency  
response of your speakers, since some speakers (e.g. bass reflex  
speakers) are particularly sensitive to over-excursion below the  
listed frequency range.  
Caution  
!
Before engaging the BREAKER switch, you should power  
down the unit (POWER switch set to OFF)!  
[14] Power is supplied via an IEC connector. The matching  
cable is provided with the unit.  
[15] SERIAL NUMBER of your EUROPOWER.  
[16] Here you can find a detailed overview of the individual  
MODE SWITCHES functions ({9}).  
The 50 Hz filter should be engaged when using broadband  
speakers because the filter provides a moderate amplification in  
the 100-Hz range, resulting in a fuller sound. The 30 Hz filter  
is ideally suited for subwoofer operation as well as for broad-  
band cabinets. The “Off” setting should be used only for special  
applications (e.g. studio applications), in which recognizing and  
subsequently removing infra-sound is important.  
2.3 Configuration switches  
(MODE SWITCHES)  
Fig. 2.3: Dip-switches  
2.3.1 Clip limiter  
When the input signal connected to your amp is too high, you  
end up with a distorted output signal. To prevent this, both  
channels of your EUROPOWER feature a clip limiter that can  
be engaged or disengaged selectively. The limiters automati-  
cally recognize distortion and lower amplification until distortion  
is reduced to a tolerable level. To preserve the dynamic charac-  
teristics of the signal when low distortion levels are occurring,  
the clip limiters function with moderate suppression. Use  
switches 1 (ch. 1) and 10 (ch. 2) to activate the clip limiters.  
When using broadband loudspeaker systems, the clip limiter  
reduces high frequency distortions which occur when an  
amplifier is overloaded. The drivers are thus protected from  
being damaged.  
 
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2.3.3 2-channel mode (stereo)  
The mono-bridged mode puts added demands on amplifier  
and speakers. Excessive distortion may occasionally com-  
pletely mute the amp’s outputs as well as cause permanent  
damage to the speakers. Please assure that your speakers  
(minimal impedance 4 Ohms) as well as the cables used can  
handle the extra power generated in this mode.  
Both channels of your amp function independently from  
one another in this operating mode, and each has its own  
input signal. Two independent speakers are connected at the  
outputs. To activate this operating mode, please set the MODE  
SWITCHES 4 and 5 to “STEREO”.  
When running the unit in two-channel mode, the switches  
for mono-bridged mode must be disengaged (dip switches  
6 and 7 in left position).  
3. Applications  
Running EUROPOWER amplifiers in conjunction with  
8-Ohm speakers with a power rating of at least  
2 x 400 Watts (EP2000) and 2 x 750 Watts (EP4000) is  
recommended to assure optimal operation.  
2.3.4 Parallel mode  
Running in parallel mode enables you to feed a signal via one  
of the inputs into both outputs. Each channel drives its own  
loudspeaker with independent amplification, filter and limit  
characteristics. To link the inputs, set the MODE SWITCHES  
4 and 5 to “PARALLEL INPUTS”.  
3.1 Differences between 2-channel,  
parallel and mono-bridged operating  
modes  
2-channel mode is the most common operating mode of  
amplifiers. Both channels operate fully independently from one  
another. There is always a separate input signal as well as a  
separate output signal.  
Mono-bridged mode switches must be disengaged when  
running in parallel mode.  
With inputs set to parallel, you can use the remaining input  
connectors to feed the signal into additional amplifiers.  
This means that the channel 2 inputs function as outputs.  
The parallel mode is well-suited for applications in which  
driving two speakers with the same signal but with separate  
amplification, filter and limiter settings is desired.  
2.3.5 Mono-bridged mode  
This operating mode enables you to add up the respective  
voltage of both channels and use it to drive a single loudspeaker.  
The voltage is therefore doubled, the peak power is quadrupled,  
and program power is roughly three times as high as that of the  
individual channels. The input, output, gain, filter and limiter  
controls belonging to channel 1 are used when running in mono-  
bridged mode. The controls belonging to channel 2 are not used.  
To prevent signal cancellation due to internal phase inversion,  
the GAIN control belonging to channel 2 must be turned to its  
left-most position.  
Use this operating mode to route the power from both channels  
to a single 8-Ohm or 4-Ohm load. To do so, set up the switches  
6 and 7 to “BRIDGE MODE ON”. To use the binding posts as  
your output, you MUST use the two middle posts only.  
 
EUROPOWER EP2000/EP4000 User Manual  
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Examples:  
Parallel mode is identical to 2-channel mode, except for the  
2-channel (stereo) playback  
Two independent mono signals, e.g. instrument signal  
and monitor mix  
inputs of both channels are internally connected in parallel. One  
input signal routes parallel both channels, while their filters etc.  
are independently controlled.  
Bi-amp operation, whereby bass frequencies are run  
on channel 1, and high frequencies on channel  
2 (see chapter 3.2 “Bi-amping”).  
Examples:  
A mono signal is fed into both channels, whereby amplification  
of each channel is controlled separately.  
Parallel mode (as described above) with connection of an  
additional amp via the remaining free input connector.  
The input signal is present there and may be connected to  
further equipment.  
When connecting a balanced input signal, please make sure  
to exclusively use balanced cables for passing the signal  
further on. Otherwise, a single unbalanced cable can turn  
the entire signal unbalanced.  
Fig. 3.1: 2-channel mode  
Fig. 3.3: Parallel operation  
Fig. 3.2: DIP switch positions for 2-channel operation  
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Fig. 3.6: DIP switch positions for mono-bridged mode  
Fig. 3.4: DIP switch positions for parallel operation  
When running in mono-bridged mode, the voltage of both chan-  
nels is added up and fed into a single loudspeaker system. There  
is one input and one output signal respectively, and only the  
controls of channel 1 (and not of channel 2) are used.  
When the amp is overdriven for longer periods of time,  
the output signal may occasionally be muted for several  
seconds. In certain situations, excessive overdriving may  
trigger off the automated fuse. To avoid overdriving the  
amp, please continually make sure that an appropriate  
volume level is applied.  
However, should the DIP switches 4 and 5 still be in  
PARALLEL INPUTS position while in mono-bridged mode,  
the signal on the free input (input channel 2) can be  
forwarded to an additional amp.  
Caution  
!
Examples:  
2-Ohm loads should never be applied when in  
Driving a single 8-Ohm loudspeaker.  
Driving a single 4-Ohm loudspeaker.  
mono-bridged mode.  
When connecting a balanced input signal, please make sure  
to exclusively use balanced cables for passing the signal  
further on. Otherwise, a single unbalanced cable can turn  
the entire signal unbalanced.  
Safety precautions for mono-bridged operation  
Running your amp in mono-bridged mode can quickly  
result in excessive overdriving and premature shutting  
down of the unit itself. In the worst-case scenario, your  
loudspeakers may be damaged permanently. Therefore,  
you should always make sure that the speakers you use can  
indeed handle the power load fed into them.  
A voltage of up to 100 V RMS is present between the output  
connectors of the EP4000. Always implement appropriate  
safety precautions when connecting your speakers to avoid  
the risk of electric shock.  
Fig. 3.5: Mono-bridged mode  
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3.2 Bi-amping  
By using an active crossover, you can divide up the frequency  
range into several bands. For example, in doing so you can split  
a mono signal into upper-frequency and lower-frequency ranges.  
These two signals can then be hooked up to the inputs of your  
amp, so that channel 1 amplifies the lows and channel 2 ampli-  
fies the highs (2-channel operation). The outputs are connected  
to a 2-way speaker, whereby the output signal 1 drives the  
woofer and output signal 2 runs the drivers. Of course, you can  
use two separate speakers instead of a single 2-way speaker.  
A stereo signal can also be split up analogous to the example  
described above. However, to do that you need two 2-way  
speakers or 4 separate speakers, two EUROPOWER amps and  
an active 2-way stereo crossover. The BEHRINGER SUPER-X  
PRO CX2310 is optimally suited for this task and offers  
additionally a single mono-subwoofer output. By deploying a  
third EP2000 amp (preferably in mono-bridged mode) and a  
subwoofer, you have a perfect setup that adds a low-frequency  
system to the stereo bi-amp application (see fig. 3.7). The amp’s  
input filters for the high/mid-frequency ranges should in this  
case be engaged and set at 50 Hz. To remove low, disturbing  
frequencies from the signal, the input filter for the subwoofer  
signal should be set at 30 Hz.  
The BEHRINGER EUROLIVE SERIES loudspeakers are an  
outstanding solution for expanding your P.A. system, because  
each frequency range/application has a speaker type that  
optimally suits its characteristics.  
Extreme clip limiter settings in bi-amp operating mode can  
result in balance shifting.  
Fig. 3.7: Stereo bi-amp mode with a separate subwoofer